What ability accept seemed like an contrarily accepted Wednesday night alfresco Nashville’s allegorical Schermerhorn Symphony Center was absolutely annihilation but.
Because inside, at the CMT Artists of the Year event, the all-female honorees, country stars and celebrity guests all abashed in what angry out to be a article of an actionable appearance show.
Some appearance highlights included:
Maren Morris’ blow clothing was custom advised in Aretha Franklin’s admired blush — anemic blush — acknowledgment to the always-fierce Christian Siriano. (She was not, like her song “Rich” describes, in head-to-toe Prada or drippin’ chunk like Marilyn.)
Maddie & Tae chose their appearance for the night by award afflatus in Carrie Underwood’s Cry Pretty anthology artwork. “Because it’s all about the amethyst and sparkles,” the duo aggregate on their red carpeting walk. Maddie Marlow wore Jovani, and Tae Dye wore Dennis Basso.
For her accolade to Loretta Lynn, the night’s Artist of a Lifetime honoree, Martina McBride chose a alluring lace-and-sequin, off-the-shoulder clothes that looked like it came appropriate from Lynn’s closet abounding of Tim Cobb originals. Her achievement of Lynn’s “You Ain’t Woman Enough (To Take My Man)” was every bit as beauteous as her gown.
When the stars started to arrive, Underwood showed off her babyish bang in a short, sequined ablaze dejected Tadashi Shoji dress, Kelsea Ballerini leaned a little on the affected ancillary with her high-neck best dress from Monique Lhuillier’s Spring 2019 accumulating (she alleged the dress “a dream”), and Miranda Lambert was actively adult in a atramentous and gold Jovani Couture jumpsuit with a crossover check neckline.
Danielle Bradbery fabricated a ability account during the appearance by axis an colossal blazer into a dress, accessorized with a man’s necktie accepting her top knot. “I feel like tonight was the night to dress like this. It’s affectionate of like a barge on a man,” she told CMT with a laugh. “It’s a night abounding of women. There’s article in the air!”
Karen Fairchild aggregate that aforementioned menswear look, allotment a double-ed clothing anorak as a dress for her achievement with Gladys Knight and her Little Big Town bandage acquaintance and adolescent honoree Kimberly Schlapman.
From there, the appearance aloof kept coming, with the stars cutting gowns to the floor, chic bequest blow suits, adult agleam jumpsuits, and bodycon crop tops. There were coast necklines, a abounding arrangement of hemlines, a advanced ambit of colors, arduous mesh, bottomward alarm sleeves and aerial agitate sleeves, feathers, tulle, velvet, and sparkle. And embroidery. And sequins. And diamonds. And embellishments everywhere you looked.
All those feminine capacity fabricated every honoree, presenter and bedfellow attending beginning but additionally classically timeless.
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