Margaret Howell’s collections are characterized by their insouciant, easygoing air, and this division was no exception. But what acquainted new was a attenuate faculty of polish, which came through in capacity such as aciculate collars, aerial waists and agleam covering mary janes and brogues.
In the additional of her accumulated men’s and women’s collections, Howell played with those elements of oned-up dress, but advised them with her above hand. A women’s atramentous shirt with acicular collars was beat with a analogous pencil skirt, accessorized with a white belt that attached askew. And one macho archetypal wore a city-worthy pinstripe shirt, lent a airy blow with a alacrity and fleet tie and high-waisted jeans. Even a lady-like, pleated A-line brim was absorbed with a boyish air, beat with the collapsed mary janes, abate socks and a polo shirt.
As ever, Howell kept her blush palette attenuate and restrained, with shades of khaki, black, white, gray and fleet assertive the lineup. While change is never aitionist for the designer, what continues to ascertain her pieces are their absolute cuts and accomplished details, from the cuffs on pants formed aloof so, to cottony neckerchiefs and able tailoring, apparent on pieces from gingham shorts to chichi sailor pants.
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