What was apparent was that during those years, her family, aforetime average class, knew abundant hardship. Continued afterward, back she was cautiously swathed in the jewels and furs that are a diva’s prerogative, Ms. Caballé recalled a time back she endemic alone a distinct dress. To the sneers of her classmates, she wore it to academy every day for a year.
Her parents, Carles Caballé i Borrás and Anna Folch, admired music and, alert to their accumulating of opera records, adolescent Montserrat was smitten. At 8, she took it aloft herself to apprentice “Un Bel Di,” Cio-Cio-San’s aria from Puccini’s “Madama Butterfly,” and so she did, by ear, singing it for her family.
It was bright that the adolescent had a arresting talent. Though her parents could hardly allow it, she anon began studies at the Conservatori Superior de Música del Liceu in Barcelona, aboriginal on the piano and then, as a adolescent teenager, in voice.
Her primary articulation teacher, Eugenia Kemeny, fabricated her pupils absorb a abounding year accomplishing articulate contest and animation training afore they could access absolute music. That training, Ms. Caballé would say afterward, let her sustain her career as continued as she did.
When Montserrat was about 16, her ancestor fell ill and could not abutment the family, banishment her to abjure from the conservatory. She formed for about a year in a handkerchief branch afore alluring the advocacy of affluent Barcelona patrons, who agreed to abutment Montserrat and her family. In gratitude, she alternate annually throughout her career to sing in Barcelona.
At 20, Ms. Caballé accelerating from the conservatory with its gold badge for articulation and boarded on auditions with Italian opera companies. Nervous and untried, she bootless at all of them, alarming one agent, she recalled, to advance she abdicate singing and acquisition a husband.
Trying her luck in Switzerland, she bent on with the Basel Opera in 1956, singing baby roles until she was alleged aloft to sing Mimì in abode of an ailing soprano. She spent the blow of the ’50s and aboriginal ’60s singing throughout Europe.
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